home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
TIME: Almanac 1995
/
TIME Almanac 1995.iso
/
time
/
091994
/
09199932.000
< prev
next >
Wrap
Text File
|
1995-02-26
|
2KB
|
59 lines
<text id=94TT1278>
<title>
Sep. 19, 1994: Books:Beguiling Outlaw Lies
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Sep. 19, 1994 So Young to Kill, So Young to Die
</history>
<article>
<source>Time Magazine</source>
<hdr>
ARTS & MEDIA/BOOKS, Page 82
Beguiling Outlaw Lies
</hdr>
<body>
<p> Larry McMurtry co-writes a novel about Pretty Boy Floyd
</p>
<p>By John Skow
</p>
<p> Larry McMurtry's splendid horse opera Lonesome Dove was a marvel
of nostalgic bosh, and that same rare gift for making heroic
tales from small-town street sweepings is on view in his new
novel. Pretty Boy Floyd (Simon & Schuster; 444 pages; $24),
written with McMurtry's screenwriting partner, Diana Ossana,
is a lesser story, loosely tethered to the life and death of
the renowned badman Charles Arthur Floyd (1904-34). But like
Lonesome Dove, it beguiles the reader with a golden haze of
lovely lies.
</p>
<p> The setting is the deep Midwest--rural Oklahoma and Kansas,
mostly--in the period before and during the Great Depression.
The lies are rascally old friends: that bandits are decent,
doomed boys; that bullets don't really hurt; and, of course,
that whores have hearts of gold. Charley Floyd has served four
years in the Jefferson City, Missouri, lockup for robbing an
armored car, but his career really gets going when he and a
rodeo cowboy named George Birdwell both try, by storyteller's
coincidence, to rob the Earlsboro, Oklahoma, bank at the same
time. Meeting cute is what Hollywood calls this: "`Sir, I was
here first--had my gun out before you even got to the teller's
window,' the cowboy pointed out. `That was 'cause I was polite
and held the door for you,' Charley reminded him."
</p>
<p> Somehow the authors get us to swallow this nonsense. Floyd and
Birdwell team up, naturally, and become regional Robin Hoods.
There isn't much to the story--flivvers and floozies, irate
wives and an occasional perforated lawman, plus a misty death
scene for each of the heroes. The novel's true subject, to the
lighthearted extent that it has one, is mythology itself. With
the headline-hungry FBI boss J. Edgar Hoover promoting Floyd
to No. 2 and then No. 1 on his new invention, the Most Wanted
List, Charley's life becomes a legend before he is finished
living it.
</p>
</body>
</article>
</text>